D-Sides, Orphans, and Oddities
Episodes
Wednesday May 18, 2022
Yet MORE First Recordings of Famous Songs.
Wednesday May 18, 2022
Wednesday May 18, 2022
The Blue Cats - Nowhere Man (196?) I'm gonna guess 1966 since this band released three albums of covers of their time plus some instrumental originals. Probably German studio guys bringing the Western hits of the day to their homeland.
Diane and Annita - Groovey Kind of Love (1965) Fans (?) of this release propose that this might not even be the titular singers (who sound nothing like the voices on this recording) but actually the writers, Carol Bayer-Sager and Toni Wine. Annita Ray also recorded a one-off novelty single with Eden Ahbez, the writer of "Nature Boy," in 1956. It was titled "Frankie's Song" b/w "Elvis Presley Blues."
Wikipedia: The melody is from the Rondo from Muzio Clementi's Sonatina, Opus 36, No. 5. Even though Wine and Sager claim full songwriting credits, they mainly wrote the lyrics and just slightly modified Clementi's music. Bayer Sager originally pitched the song to pop star Lesley Gore in early 1965, but Gore's producer at the time, Shelby Singleton, rejected it, as he found the word "groovy" too slangy.
Gene Cotton - Let Your Love Flow (1975)
The Undisputed Truth - Papa Was A Rollin' Stone (1972) This version actually preceded the Grammy-winning version by The Temptations, and the two are pretty similar. The Undisputed Truth had their biggest hit with a song written by Norman Whitfield and Barrett Strong as well, "Smiling Faces Sometimes", which was originally recorded by The Temptations! This is another trivia question you can ask your friend.
Beau Williams - C'est La Vie (1984)
Black Magic! - Miss Jessie (1970)
Brian Wilson - Just Say No (1986)
C.W. McCall - Kidnap America (1980)
The Soul Searchers - We The People (1972)
Roogalator - Cincinnatti Fatback (1976) Note the Stiff Records logo on the upper left corner. This was one of the first Stiff releases. Danny Adler was an American ex-pat living in England. This was the second version of Roogalator (formed in 1972), and as much as this track smokes, the band got virtually no support from the label, and constant personnel changes killed the group. Could you have hung on that long with an entire movement (that you helped start) bubbling under your feet, only to be ignored and ultimately ripped off?
Cliff Bennett and his Band - Back In The U.S.S.R. (1968)
Con-Funk-Shun - Clique (1974)
Sesame Street - Cracks (1976) "Cracks" is an animated musical insert produced for Sesame Street in the 1970s. A young girl is unable to go outside to play because of the rain, and so she imagines the cracks in her wall form a camel. The camel takes her on an adventure through the wall where she meets a hen and a monkey, also made out of cracks.
The voice is the one and only Dorothy Moskowitz, who I featured on a recent show. She is mostly known as the female voice of The United States of America.
Debby Dobbins - How You Gonna Feel (1979)
A selection from the one and only album by Don Thompson - Fanny Brown/Just Plain Funk/Night Ladies/Hang Loose (1977)
God, I love this funk.
From Dusty Groove: The one and only album from drummer Don Thompson – a funky Brunswick classic from the 70s, and one of the most unique records we've ever heard from the label at the time! Don's got this style of singing that has a bit of a southern twang at times, but he works with grooves that are definitely northern in their orientation – served up in a range of styles that includes the funky drum break of the title cut, some mellow-stepping moments on a few other tunes, and the bouncing boogie that's really become the album's calling card over the years! There's loads of great bass work on most cuts, which really grounds that album alongside Don's drums – and titles include "Just Plain Funk", "Fanny Brown", "Lovin To The Bone", "Night Ladies (part 1 & 2)", and "Hang Loose".
Donny Hathaway - The Ghetto (1970) His early records were expansive and unique, and his voice was second to none. He was every bit the equal of Stevie and Marvin, but you know him from his duets with Roberta Flack.
Wikipedia: During the peak of his career, Hathaway began suffering from severe bouts of depression and exhibiting unusual behavior. In 1971, he was diagnosed with paranoid schizophrenia for which he was prescribed various medications. At one point, Hathaway was prescribed fourteen different medications that he was to take twice a day. After Hathaway was diagnosed and began taking medication, his mental state improved. However, Eulaulah Hathaway has said that her husband became less than diligent about following his prescription regimen when he began feeling better and often stopped taking his medications altogether. From 1973 to 1977, Hathaway's mental instability wreaked havoc on his life and career and required several hospitalizations. The effects of his depression and severe mood swings also drove a wedge in his and Flack's friendship; they did not reconcile for several years, and did not release additional music until the successful release of "The Closer I Get To You" in 1978. Flack and Hathaway then resumed studio recording to compose a second album of duets.
You should investigate his discography, especially this stunning debut album, Everything Is Everything. He was brilliant.
Donny Hathaway - To Be Young, Gifted, and Black (1970)
Donnie Most - Rock Is Dead (1976)
Enoch Light and the Light Brigade - Pick Up The Pieces (1975) John Miller on bass.
Enoch Light and the Light Brigade - Puppet Man (1970)
Fleetwood Mac - Sentimental Lady (1972) POACA will remember that Bob Welch rerecorded this with a more prominent Christine McVie backing vocal part. The singing members of Fleetwood Mac circa 1977-1980 could have crapped on a cracker and it would have gone gold.
The Mothers of Invention - Help, I'm a Rock (Suite In Three Movements)
I. Okay To Tap Dance
II. In Memoriam, Edgard Varèse
lll. It Can't Happen Here (1966)
Ian Dury and the Blockheads - Reasons To Be Cheerful (Pt. 3) (1980)
Kelly Gordon - He Ain't Heavy, He's My Brother (1969) First version. Beautiful.
Kid Creole and the Coconuts - Indiscreet (1983) Live. Goddammit, Carol Colman on bass.
The Residents - Die In Terror (1980)
Hoover Commercial with Brian Johnson of AC/DC on vocals. (1979)
Carpenters - Suntory Pop Jingle (1977)
Sunday Apr 17, 2022
For my 200th Podcast, I wanted to thank you all. Greatest Hits, Part 1.
Sunday Apr 17, 2022
Sunday Apr 17, 2022
There are enough people out there who yearn for the arcane, the odd, the unsuccessful, the strange, and the historically overlooked to justify 200 podcast episodes of D-Sides, Orphans, and Oddities.
This makes me happy, and the topics are inexhaustible. From the strange singles of Freddie Cannon and Lou Christie to the occasionally wonderful singles of Les Humphries Singers, Doris, Os Mutantes, to the strange paths to fame like The American Breed ("Bend Me Shape Me") evolving into Rufus, and then Chaka Kahn, and then "I Feel For You", her biggest hit, written by Prince, but the Kahn version was actually the 4th release and, had Patrice Rushen opted to try it (she turned it down), the 5th. A Prince song with Stevie Wonder playing harmonica over his own voice being sampled.
To me, pop music is styles and the biggest records tend to be styles smooshed together. People like dangerous white music and safe black music. People like rap, but with a melodic vocal hook. While the Bee Gees were not a disco group, the Saturday Night Fever movie was a perfect petri dish. Combine Travolta's white-hot star power with the zeitgeist of Disco and the very odd recordings the Bee Gees were doing at that time. It was the success and the playing it safe in the movie's wake that doomed them.
The Beatles were preternaturally gifted with a work ethic that would kill the musicians of today. But their fame was also born of withering luck. A producer and a manager (and record company) that didn't really know what they were supposed to do with these four tough guys. None of them tried to make The Beatles pick a lead singer, so, like their live act, all four would do it. Because they had the shocking temerity to say "Nope, we're not doing that song...", it was like saying to someone with a gun In your face, "Go ahead. We've come this far. You don't know WHAT we've seen. We see through you, over and over. In Germany. In Sweden. In Wales. We never said 'no' to a gig, no matter how much driving or begging or lack of sleep, and if the Reeperbahn couldn't stop us, what makes you think YOU will?" And their genuine love of Black music somehow broke the barriers for generations of singers, players, etc.
Imagine that moment. You're in The Beatles, you've struggled and burned the roads up and played innumerable gigs, and sat, nose to nose, creating songs in your room that people would be singing and playing for 60 years hence. But now, the sessions begin, and the man in the tie wants you to record a "ringer". And you try it, but it doesn't really do anything. It's ok. But you have to decide. Play the game? Or risk this dude's red pen.
Or show up with something better.
And the guy with the tie has been through some shit as well. And he's tired of being relegated to 2nd string and he resents being put in a place where these four punks dare question his choice. Do better. I'm tired of this shit.
And "Please Please Me" is as black a record as anything any band from England before them had tried. And that little phrase can be attributed to everything they tried after that. Because they proved it, in that ONE shot across the bow that would resonate for what will be eons, that your old choices for ringers, publishing company favors, Brill building production lines, plug-and-play Motown stuff, etc., were going to either fade or have to adapt.
I stop my show pretty much at 1980 because that's when drum machines and synths became songwriting devices. I never liked Joy Division. I just don't get it. At that point, and with exceptions, sure, drum programming and synth programming made songwriting easy. That didn't make the songs any better. Just easier to make. Someone else can do that show.
Anyhow, this is to say thank you to all the folks that have listened and downloaded.
THIS show is me delivering a preamble and then playing 4 hours of music from past shows that I really like. Let's call this "Part 1" because the show, as I originally tried to put it together, lasted 10+ hours. So consider this show when you're on a long drive, doing work, making love to your woman, or man, or both, or none.
So......
This is the setlist, but they’re not all ‘good songs’. Some are meant to show you the arcane nature of what I find most enjoyable. Song-poems (“The Beatle Boys”), artists coping with the end of their heyday (Gary Glitter) and ill-prepared for life after that, or artists way before they found their niche (The Gap Band). And, of course, groups I love like Rose Tattoo, The Free Design, and SAHB.
Leo’s Sunshipp - Give Me The Sunshine (1978)
The Free Design - My Very Own Angel (1969)
GLS United - Rapper’s Deutsch (1980) Samples “Rapper’s Delight”, which samples “Good Times” by Chic, “Here Comes That Sound Again” by Love De-Luxe with Hawkin’s Discophonia (which i played on one of my previous shows), and a quote from the movie Five on the Black Hand Side, specifically, a scene in the barbershop that predated the advent of Rudy Ray Moore’ Dolemite character by 2 years.
Louis Armstrong - The Creator Has a Master Plan (1970) w/ Leon Thomas
Rick Wakeman - I’m So Straight, I’m a Weirdo (1980) I just like playing this awful oddity from the keyboard player from Yes. This record defies description. But if you see the video on Youtube, look for a young Boy George.
James Last - Inner City Blues (Make Me Wanna Holler) (1971) From the album Voodoo-Party.
Billy Preston - My Sweet Lord (1970) One of two albums he released on Apple Records.
Rod Rogers (really, Rod Keith) and the Swinging Strings - The Beatle Boys (196?)
The Gap Band - Magician’s Holiday (1974)
Gary Glitter - A Little Boogie Woogie in the Back of My Mind (1977)
The Free Design - There Is A Song (1972) I will never stop praising this wonderful group.
Stuart Damon - Eros (1970) Dr. Alan Quartermaine from General Hospital had a brief singing career.
The Millennium - There Is Nothing More To Say (1968) Lou Christie lifted this wonderful melody for his own “Canterbury Road" later that year. From the film “Till [sic] Kingtom Comes”.
XTC- Across This Antheap (1987) I never tire of this amazing track. It’s my show.
Aerosmith -Nobody’s Fault (1976) I like Aerosmith’s ’70s albums very much. They were all loaded with hidden gems, and to me, “Nobody’s Fault” was just the most succinct example of a band that made consistently good/great albums.
Frank Zappa - Andy (1980) A great, difficult tune (you try it with your band.) Recorded live in Buffalo.
Annette Peacock - The Succubus (1979)
The Red Shadow - Anything Good (1975)
Carpenters - B’wana She No Home (1977)
Bruford - Back To The Beginning (1978)
Frank Sinatra - Bad, Bad, Leroy Brown (1974)
Barry McGuire & The Doctor - South Of The Border (1970) I love this song. We are on the eve of destruction indeed. Might as well…
Beach Boys - Rollin’ Up To Heaven (1972?) This is so insane, and especially from a major artist, that it defies categorization.
Rose Tattoo - We Can’t Be Beaten (1982) Ferocious.
Billy (Crash) Craddock - Knock Three Times (1971)
Led Zeppelin - Black Dog (1972) Unbelievable live version from “How The West Was Won”. Listen to those bass drum tricks. Especially during the coda. I wish Robert Plant never smoked. A normal drummer would go crazy with fills. Bonham put them where they belonged, no more. He showed amazing restraint at times. You wouldn’t think so, but he was a grooving monster above all else.
Black Oak Arkansas - Hot And Nasty (1971)
Michael (Mick) Jackson - Blame It On The Boogie (1978)
Bob & Earl - Harlem Shuffle (1969)
The Kids From The Brady Bunch - Candy (Sugar Shoppe) (1972) So inappropriate that I wonder what the record company/TV show producers were thinking. Good song and a nice performance by the studio band.
Bread - Everything I Own (1972)
Carla Bley - Rawalpindi Blues (1972)
Nick Mason - Do Ya? (1980)
Liberace - Say Ciao (1970) Liberace puts it into words and music..."Never Say Goodbye, Say Ciao"...capturing the mood of Ciao Liqueur...the imported new liqueur with the elusive new taste. I can’t find another song that Liberace wrote himself.
Crack The Sky - Surf City (Here Come The Sharks) (1975)
Les Humphries Singers - Dancing Queen (1976) You can still hear Jimmy Bilsbury’s straining, smoky tenor in the choruses. “Having the time of your life…” Poor guy.
Eddie Kendricks - Me 'N Rock 'N Roll Are Here To Stay (1974)
Denny Greene - The Great Escape (1981) Ex-Sha Na Na member trying to break type like J Jocko tried a few years before. I love this. This is a dance mix of the original he did in 1977.
Dennis Wilson - River Song (1977)
Doris - Did You Give The World Some Love Today, Baby? (1970) No one knows who Doris is. I’d rather listen to her and this crazy Swedish band for a year before I ever give any time to Janis Joplin.
Rotary Connection - Didn’t Want To Have To Do It (1967)
Adriano Celentano - Prisencolinensinainciusol (1972) This is a wonderful remix of the original fluke hit.
The Move - Do Ya (different version) (1971)
Jeff Lynne - Doin’ That Crazy Thing (1977)
Rick Nelson - Don’t Blame It On Your Wife (1968)
Sha Na Na Anti-Drug PSA (197?)
Doris - Beatmaker (1970)
Dschinghis Khan - Rocking Son Of Dschinghis Khan (1979)
Edith Head Fashion Prescription
Emerson, Lake, and Palmer - Trilogy (1973)
Utopia - Eternal Love (1976)
Alix Dobkin - View Form Gay Head (1973)
Fats Domino - Everybody’s Got Something To Hide Except For Me and My Monkey (1968)
John Farrar - Falling (1980)
Creedence Clearwater Revival - Feelin’ Blue (1969)
Laverne and Shirley - Five Years On (1976) Written by Michael McKean. His story is too long for me to get into. For POACA he was "Lenny" of Lenny and Squiggy. Or he was David St. Hubbins in Spinal Tap. Or he was Saul Goodman's brother in Better Call Saul.
Genesis - Fly On A Windshield/Broadway Melody of 1974 (1974)
Fonzie Impressionist Track (Aaaaay, Cool, Nerd, Sit On It) (1976) One of the weirdest things in my collection. Why does it exist? And then it repeats in reverse!!
Thursday Mar 24, 2022
Thursday Mar 24, 2022
a-ha - Lesson One (Take On Me first demo) (1982) Before their one. big, groundbreaking mega-hit (mostly for the video) this song underwent a couple revisions. They knew somehow that they had gold, but they struggled to find a winning chorus. They would.
Anna Frid Lyngstad - Guld Och Gröna Ängar (10CC's "The Wall Street Shuffle" in Swedish) (1975) The red-headed female in Abba released solo stuff with some success in her homeland throughout their heyday. But she didn't hit in the USA solo until teaming with Phil Collins for "I Know There's Something Going On" in 1982.
Anna Frid Lyngstad - Liv På Mars? (David Bowie's "Life On Mars?" in Swedish) (1975)
Anna Frid Lyngstad - Skulle De' Va' Skönt (The Beach Boys' "Wouldn't It Be Nice" in Swedish) (1975)
Baker Gurvitz Army - Hearts On Fire (1976) A pretty stupid song written by Ginger Baker. I never really liked him. I never liked Cream, to be honest. I like Jack Bruce singing with Carla Bley on "Escalator Over The Hill".
Bridges - Miss Eerie ("The Juicyfruit Song", the earliest recording of "Take On Me") (1981) In 1981, a-ha’s Paul Waaktaar-Savoy and Magne Furuholmen recorded this song for their band Bridges. In 1984, having formed a-ha with vocalist Morten Harket, they’d take yet another stab at the track.
Jack Bruce - I'm Gettin' Tired (Of Drinkin' and Gamblin') (1965)
Ginger Baker's Air Force - Sweet Wine (1970) Same musical structure, in a way, as Mothers of Invention, without the scatology.
Ginger Baker - Ariwo (1972)
Hawkwind - Levitation (1980) With Ginger Baker on drums. Another band that never really pinged my interest. Throw them on the pile!
Michael Lloyd and Mike Curb - It's Magic (1969) From...Hot Wheels Cartoon Soundtrack.
Liner notes: This exciting album contains all of the original sound track music from HOT WHEELS- the high adventure show on ABC-TV's Super Saturday Club. This thrilling weekly cartoon series features a group of young drivers who have formed a "hot wheels" auto club. Their activities cover all aspects of this fast road sport...cross country, track and dunes, and the music reflects their love of high speed action. HOT WHEELS is an up-to-the minute show and the music from the sound track is as turned on and tuned-in as today's high performance cars. Mike Curb. who wrote the music for the show, puts it all into high gear on this fast moving album!
Ian Dury and the Blockheads - Reasons To Be Cheerful, Pt. 3 (1979) These guys could play. I went through their stuff. Very exciting and versatile. The late '70s in UK must have been an exciting time for music fans.
Ian Dury and The Blockheads - Hit Me With Your Rhythm Stick (1978) Listen to that bass guitar. Norman Watt-Roy. What fun it must have been to produce these records. That seems to be when the best records were made. When all concerned were united in making a good sound, but not taking themselves too seriously.
Jack Bruce - Never Tell Your Mother She's Out of Tune (1969)
Jack Bruce - Pieces Of Mind (1974)
Jack Bruce - Victoria Sage (1971) Even though having Ginger Baker in my band would have been a special circle of hell for me, and I think Jack Bruce might have been a tad busy for my taste, I find both of their records invariably more interesting than anything Eric Clapton did. And aside from Jack Bruce's first solo album, Songs For A Tailor, neither artist charted in the US with anything. And I know this might be sacrilege to say, but is Duane Allman's slide solo on "Layla" THAT good? I find it pretty...meandering. Out of tune, even. Go ahead and kill me.
Madness - Blue Skinned Beast (1983) Same album as their US hit "Our House". Dan put this on a mixtape for me once. I never forgot.
Madness - Embarrassment (1980)
Madness is an English ska band from Camden Town, North London, who formed in 1976. One of the most prominent bands of the late 1970s and early 1980s two-tone ska revival, Madness's most successful period was from 1980 to 1986 when the band's songs spent a total of 214 weeks on the UK Singles Chart.
Madness has had 15 singles reach the UK top ten, which include "One Step Beyond", "Baggy Trousers" and "It Must Be Love", one UK number-one single "House of Fun" and two number ones in Ireland, "House of Fun" and "Wings of a Dove". "Our House" was their biggest US hit. In 2000 the band received the Ivor Novello Award from the British Academy of Songwriters, Composers, and Authors for Outstanding Song Collection.
Madness - On The Town (Feat. Rhoda Dakar)/Bingo (2009) Read the Wiki about this album. Most artists, after how many years, regress or become a trivia act. Madness reached for the stars. It's a worthy listen for sure.
Marianne Faithfull - I'm a Loser (1965) You had to be there, I guess.
Mike Curb & Lawrence Brown - Bay City Boys (1967) From the original motion picture soundtrack to the film "Mary Jane".
A car driven by a driver intoxicated by marijuana plunges off a cliff, killing the driver and injuring a female passenger. It turns out marijuana use is rife at a small-town high school, led by the clique of Jordan Bates. Art teacher Phil Blake tries to persuade student Jerry Blackburn not to smoke. Jerry borrows Phil's car and Jordan leaves some marijuana in it. Phil gets arrested for possession of marijuana.
This movie starred Fabian, who was a heartthrob in the early '60s. Maybe this was his attempt to be a serious actor.
The movie was co-written by Dick Gautier (POACA will recall his ubiquitous presence on every game show ever done, as "Hymie" the Robot on Get Smart, and in 1973, when Burt Ward and Yvonne Craig reprised their Batman roles (as Robin and Batgirl respectively) for a TV public service announcement about equal pay for women, Adam West, who was trying to distance himself from the Batman role at the time, declined to participate. Gautier filled in for West as Batman. The other co-writer was Peter Marshall, who hosted The Hollywood Squares for 15 years.
For the fetishist, here is that PSA, with Dick Gautier as Batman.
https://youtu.be/3LviAKGZxPs
Mike Curb Congregation - Come Together/Hey Jude (1970)
The Mike Curb Congregation - Burning Bridges (1970) From the movie "Kelly's Heroes".
Hank Williams Jr. & The Mike Curb Congregation - Walkin' To New Orleans (1971)
The New Life - The Sidehackers Soundtrack (1969) Do you remember the MST3K episode? Well, there's a soundtrack that features Mike Curb's involvement. Besides the Sidehackers soundtrack, The New Life also scored songs for a film called Black Water Gold.
Friday Mar 18, 2022
A Small Eternity In New York City.
Friday Mar 18, 2022
Friday Mar 18, 2022
You might like this little slice of relatively well-recorded tomfoolery recorded live at the famous Fillmore East in 1971. What a night it must have been. Anyhow, it really depends on which mix you like better. Lennon and Ono or Frank Zappa. To me, Some Time In New York City sounds pretty muddy. I like this album because it has (to my knowledge) none of Zappa's Xenechrony. It's all raw, but if you really pay attention, these Mothers were pretty tight.
Frank Zappa & The Mothers of Invention - Well
Frank Zappa & The Mothers of Invention - Say Please
Frank Zappa & The Mothers of Invention - Aaawk (I love Yoko's ferocious "aaawk" squeals...like she's repeatedly being shoved underwater.)
Frank Zappa & The Mothers of Invention - Scumbag
Frank Zappa & The Mothers of Invention - A Small Eternity With Yoko Ono
Willie Dickson and The Playboys - Licking Stick (1969)
Andrea True Connection - More, More, More (1976) Instrumental version sounds almost like a run-through. Especially that bass. I like it.
Collective Consciousness Society CCS - Whole Lotta Love (1971)
Discogs: CCS (Collective Consciousness Society) was a British group formed by bluesman Alexis Korner and Danish vocalist Peter Thorup. The band itself also consisted of different studio casts who would be around but also included Tony Carr (drums), Herbie Flowers (bass), Harold Beckett (trumpet), Harold McNair (woodwind), and Henry Lowther (trumpet), among others. This wasn’t all, as they were going for a unique sound to rival the top Rock acts of the day. So they would grab the creme de la creme of jazz studio musicians of the time. The entire lineup would always be subject to change throughout the band’s history, depending on personnel availability at recordings.
Desmond Dekker and the Aces - Licking Stick (1971)
David Peel and the Lower East Side - The Ballad of New York City - John Lennon / Yoko Ono (1972)
Elephant's Memory - Local Plastic Ono Band (1972)
George Torrence and the Naturals - (Mama, Come Quick, And Bring Your) Lickin' Stick (1968) Note the composer.
James Brown - Licking Stick, Licking Stick (1968) Now, the same song, re-written by James Brown.
Rusty Garnett - Licking Stick, Licking Stick (196?)
Tenth Hour - Lickin Stick (1975) This beat Shazam! Credited to Charles Manley and George Torrence.
The United States Air Force Band featuring The Free Design – "The Now Sound Of Christmas" (1968) These are all live recordings, and some have never been released on Free Design albums. ESPECIALLY the song "Shepherds and Wisemen" which, to my ears, is very good. A hidden gem.
The Proper Ornaments/Let All Mortal Flesh Keep Silence/Rudolph the Red-Nosed Reindeer/Close Your Mouth (It's Christmas)/Christmas Is The Day/Winter Wonderland/Shepherds and Wise Men/Reprise-The Now Sound of Christmas. It would be so nice to hear this on a big FM radio console in a living room.
Jimmy Castor Bunch (featuring the Everything Man) - Supersound (1975) I love this.
Friday Mar 18, 2022
One Bad Apple
Friday Mar 18, 2022
Friday Mar 18, 2022
John Paul Joans - Got To Get Together Now (1970)
John Davidge was a politically motivated and confrontational stand-up comedian In 1970, he made a record for the UK Christmas market. His manager arranged for Eric Stewart, Lol Creme, and Kevin Godley (later of 10CC) to write the song with him. It was "Man From Nazareth" with the flip side "Got To Get Together Now". Both were recorded at Strawberry Studios and released on Mickie Most’s RAK label.
The song was tipped as a 1970 Xmas #1 but lost its momentum because the other John Paul Jones objected, necessitating that all the records be recalled, destroyed, and reprinted! The song peaked at No. 25 in January 1971 after a belated post-Xmas Top of The Pops performance.
A selection from Andrea True's Europe-only third album War Machine (1980)
Open Up Baby/Hootchie Kootchie Floozies/War Machine
Babatunde Olatunji - Soul Makossa (1973) Originally recorded by Manu Dibango, and borrowed for Michael Jackson's "Don't Stop 'Til You Get Enough."
Earth and Fire - Memories (1972)
Earth and Fire - 21st Century Show (1970)
Earth and Fire - Circus (1975)
Serge Gainsbourg - Joanna (1965)
OST from the film "ComeTogether" - ComeTogether/Get Together (1971)
Something Weird: Come Together is one of those great, unique, hard-to-categorize European films that would best be described as a slice of life from the "free love" hippie generation.
TONY ANTHONY plays Tony, a free-wheeling American stuntman working in Italian films, who tries to pick up two swinging American tourists, Lisa (LUCIANA PALUZZI) and Ann (ROSEMARY DEXTER). His persistence pays off and he gives them a tour of Rome in his new sports car. As the trio develop a friendship, we find that Ann is still suffering stress from an abortion, and Lisa was recently involved in a messy affair with an older married man. Tony has his own mental baggage: he was the only survivor when his unit was massacred in Vietnam. All three are searching for an intimate relationship.
Tony is hired to play a Mexican bandit in a spaghetti western in Spain -- fans of the genre won’t want to miss these scenes -- and finds himself missing the two girls. When he returns, the three take a trip to Pompeii, get turned on by the ancient erotic paintings (not an easy thing to do) and plunge into a ménage à trois. However, Tony is pretty freaked out by this and drives off to sort things out. It doesn’t take him long to return and accept the relationship for what it is. It all comes to a head with a jaw-dropping out-of-left-field ending that would never fly with today’s test audiences...
Mr. Anthony, "best known" [quotes mine] for his spaghetti western Stranger character (Stranger in Town), is hilarious (sometimes unintentionally) and his ’60s voice-over philosophy is a hoot. He’s also a real fashion casualty of the times in his floppy hippie hat and Mickey Mouse denim jacket. A standout scene shows him as a gigolo in bed with a whacked-out client, lots of poodles, and a vibrator. Gorgeous Luciana Paluzzi is best known as James Bond’s love interest in Thunderball.
Hardcore Beatles fanatics should be alerted that the soundtrack for Come Together was released on Apple Records. Co-director SAUL SWIMMER was also involved with Let It Be, and Ringo Starr and Tony Anthony starred together in Blindman.
Justin Hayward and John Lodge - Blue Guitar (1975) With 10CC.
John Lodge - Street Cafe (1980)
Robert Lamm - Song for Richard and His Friends (2006?)
Robert Lamm - Temporary Jones (1974)
The Four Seasons - Silver Star (live) (1980)
Laura Brannigan - Deep In The Dark (1983)
Dave Clark 5 - Children (197?)
The Osmond Brothers - Flower Music (1967)
Firyuza - Native land (1979)
The Searchers - Love Potion #9 (1975) A pointless reinvention.
The Residents - Bach Is Dead (first version) (197?)
Robert Lamm - A Lifetime We (1974)
Tuesday Mar 15, 2022
Chicago and Some Extracurricular Activities
Tuesday Mar 15, 2022
Tuesday Mar 15, 2022
The Knack - Africa (1981) From their 3rd album, Round Trip.
Peter Cetera - Holy Moly (1981)
Gerard McMahon - Hello Operator (1976)
Robert Lamm - Crazy Way to Spend a Year (1974)
Angelo - It Don't Matter (1976) With the Chicago horns, as well as Danny Seraphine on drums, Laudir de Oliveira on percussion, and the ubiquitous Peter Cetera.
Odyssey - Home Of The Brave (1972) With Donnie "Hot Licks" Dacus.
Robert Lamm - Where You Think You're Goin? (1972)
Don Felder - Never Surrender (1983) Written with Kenny Loggins ("Footloose", "Danny's Song") and featuring Pankow and Loughnane.
Gene McDaniels - Feel Like Makin' Love (1975)
Joe Vitale - Sailor Man (1981)
Leon Russell - Let's Get Started (1978)
The Knack - Lil' Cals Big Mistake (1981)
Maynard Ferguson - Rocky II Disco (1979) Featuring the real Sylvester Stallone on grunting, and Danny Seraphine on drums.
Flo & Eddie - Hot (1975) Featuring D. H.L. Dacus on slide guitar.
Howard Kaylan and Mark Volman signed with Columbia [Records] as Flo & Eddie. In his autobiography Shell Shocked, Kaylan revealed that upon receiving the cover art for their first album, they were appalled to learn that the printer had mistakenly printed the duo's stage names in the wrong order above their photograph. Volman was identified as Flo, which had been Kaylan's stage name in [Frank] Zappa's band, and Kaylan was identified as Eddie, Volman's stage name. The label refused to reprint the cover, saying that it would cost too much money. Thus, Kaylan and Volman decided to professionally swap stage names.
They sang backing vocals on so many famous songs and albums that you've likely heard them today. Among them:
"Bang a Gong" by T Rex.
Illegal Stills - Stephen Stills
From The Inside - Alice Cooper
"Hungry Heart" by Bruce Springsteen
Blondie, Psychedelic Furs, Todd Rundgren (when you hear "Bang on the Drum All Day" at a sporting event, that's them singing,) Duran Duran, etc. Volman and Kaylan also sang on the first recording by Steely Dan, a demo of "Everyone's Gone To The Movies." I read an article where Kaylan says he was asked to be their lead singer, but he nixed the idea of singing without his partner.
James William Guercio - Tell Me (1973)
Peter Cetera - Livin' in the Limelight (1980)
Wikipedia: When Columbia Records dropped Chicago in 1981, Cetera was in the middle of recording his first solo album for the same label. He had to personally buy the rights to the album before it could be released. According to Cetera, Chicago's new record company, Warner Bros., released the Peter Cetera album while it was waiting for Chicago 16 to be released. Cetera has asserted that one reason for the album's poor commercial success, however, was lack of support from the record company: the record company didn't want it to be successful and didn't promote it for fear that he would leave the group. In his 2011 autobiography, former Chicago bandmate, Danny Seraphine, backs up Cetera on this point, writing, "... [the album] sank like a stone due to lack of record company support. Warner Brothers didn't want it to interfere with their plans for Chicago." A full-page advertisement announcing the album appeared on page 100 of the November 21, 1981 issue of Billboard magazine.
Marcos Valle - A Paraíba Não é Chicago (1981)
Thursday Dec 02, 2021
Thursday Dec 02, 2021
Bruford - Age Of Information (1980) I guess, if I'm going to call the Bowie band of 1975-1980 the best band of the decade, this group would come close to that. With the inimitable style of Jeff Berlin on bass and the wonderful Bill Bruford on drums, this album might have been the closest Prog came to the elusive jazz/pop hybrid bred into the bone for so many of the Prog hopefuls of the era.
Jan Hammer Group - Don't You Know (1977)
Can - I Want More (1976) Can was a sometimes impenetrable German Prog outfit. Their music in the early part of the decade wasn't something I could say I liked, even though I tried like heck. This was a single, which kinda makes sense. All Prog was catching a terminal disease at this juncture, but no one knew it.
Renaissance - Flight (1983) I messed this song up on my show, but this is not a bad record. Renaissance had some great moments in the '70s, and if you are interested, go find Scheherazade and Other Stories from 1975. Like Close to The Edge, it only has three songs, but I think that record is their apex by a mile, and I like the other albums. This was from their last "Golden Era", Time-Line album, although it had been a while since they could get a record company to pony up the do-re-mi for an orchestra.
Discogs: Renaissance was originally formed in London, UK, in 1969 by ex-Yardbirds vocalist Keith Relf and drummer Jim McCarty who wanted to explore a new sound blending elements of rock, folk, and classical music. Relf assumed the role of guitarist, and they were joined by bassist Louis Cennamo, keyboardist John Hawken, and vocalist Jane Relf. This lineup recorded the first self-titled album and most of the second album, Illusion (1971). A rapid series of personnel changes followed. Guitarist and composer Michael Dunford first appeared on Illusion. Before his departure from the band Hawken recruited new vocalist Annie Haslam. By 1972, when the Renaissance recorded their third album, Prologue, none of the original members remained though McCarty still wrote music for the band.By 1973 the lineup had stabilized with Haslam, Dunford, keyboardist John Tout, bassist and vocalist Jon Camp, and drummer Terry Sullivan. This lineup produced a string of relatively successful albums over the remainder of the decade. They had one Top 10 single in the U.K., "Northern Lights", from the album A Song For All Seasons (1978).By 1980 Sullivan and Tout departed leaving Haslam, Dunford, and Camp as the stable core of the group with various other musicians coming and going through the early and mid-1980s. The group released two albums, Camera Camera (1981) and Time-Line (1983) which were not well received by either fans or critics. Renaissance went into the studio to record a further album but found themselves without a label willing to release it. Material for this album as well as discarded tracks from the sessions for the previous three releases finally saw the light of day as Songs From Renaissance Days in 1997. [Ed: Which I gobbled up the day it came out, as there was no other domestic CD of this group available at the time.]
Yes - The Revealing Science of God (1973) There are moments in this song that, to me, are just amazing, transcendent, and still cause chills maybe 40 years after the first time I heard them ("Getting over overhanging trees...") like almost all of Yes' epic side-long monsters. There's a reason Prog fans like me are filled with sadness that the people who made this magic for us cannot seem to just stop recreating or trying to recreate these moments with an ever-shifting group of lesser talents. The Beatles did it right. They just stopped, resisted the potentially lucrative urge to make themselves stand there again, together, and recreate sounds from which they had long ago moved past. I like this. There's a real fire that people might have forgotten these very young men possessed.
King Crimson - Thela Hun Jinjeet (1981) So this might be #3. Tony Levin played on some later Yes albums, as well as Peter Gabriel (he plays the Chapman Stick, a strapped upright instrument with both tenor and bass strings). He also played with Paul Simon and hundreds of others. Robert Fripp played with David Bowie on his Berlin Trilogy, and Bill Bruford was amazing in Yes, his own band, Bruford, and...Genesis during a tour! Bowie and...Adrian Belew!! Who is here after stints with Talking Heads, Zappa, Tom Tom Club....it goes on and on, but I really like anything Bill Bruford played on.
Bruford - Gothic 17 (1980) I've played stuff from Bruford's first record with Annette Peacock. This is in that funky, other-worldly combination of jazz and pop. I love Jeff Berlin's voice. I wish they had dome more records together. Go find "Joe Frazier" off this album. Whoo boy.
Gentle Giant - Interview (1976)
Genesis - One For The Vine (1977) Genesis at their peak. It's hard to believe it now, but this was composed solely by Tony Banks. The scope and drama, pathos, and virtuosity amaze me especially when one considers that he (and they) never created anything this beautiful again. Who was the best keyboard player in Prog? I think about it and Kerry Minnear comes to mind, as he really was the creative force in Gentle Giant. But neither he, Keith Emerson, Rick Wakeman, or any of the others, as good as they were, authored something as wonderful as this.
Rush - Jacob's Ladder (1980) I don't care what you say. This album is peak Rush. After years of album/tour/album/tour, "The Spirit of Radio" captured their amazing musicianship, their cool humor, and the fact that you could be groovy in 7/8. I think of this record as the end of the beginning, but not in a good way. I played this in a band once. We were terrible. I had a tiny Casio keyboard (it was all we could afford) and I couldn't play the last bit on bass with anything resembling speed. Our drummer was great.
Discogs: Rush's seventh studio album.The cover depicted the famous incorrect headline "Dewey Defeats Truman" on a newspaper in the bottom left corner.However, the Chicago Tribune (the paper that originally published the error) pressured the band to remove the headline. Some versions appear altered with either "Dewei Defeats Truman" or a blanked section.The billboards in the distance (mid-right) originally read "Coca-Cola." However, the cola company objected to the use of their logo and the cover was changed to display the band members names in a similar typestyle to the original logo.Trivia: The woman on the cover of this album is model Paula Turnbull. Contrary to rumor, the guy waving in the background on the cover is not one of the members of Rush, it's actually Hugh Syme, the art director of the album.
UK - In The Dead of Night/By The Light Of Day/Presto Vivace and Reprise (1978) One of the first Prog supergroups, members of other big groups smooshed together. In this case, John Wetton of King Crimson, Roxy Music, Uriah Heep, Mogul Thrash, etc., Bill Bruford, the amazing Allan Holdsworth (Soft Machine, Gong) , and Eddie Jobson (Zappa, etc.) make a great album. Then Bill leaves, and Terry Bozzio (Zappa) records another record and a live album, and then...Asia.
Joe Simon - Before The Night Is Over (1977)
I don't consider The Moody Blues or Pink Floyd prog.
Tuesday Nov 30, 2021
The Moody Blues
Tuesday Nov 30, 2021
Tuesday Nov 30, 2021
Were The Moody Blues "prog"? I don't think so. They weren't virtuosos in any sense, although they were all very competent (or somewhat competent - Graeme Edge wasn't asked to do much, really) but they WERE unique and extremely popular. And every album has a treat or two. At least the ones before 1983. All you had to do was light a marijuana joint with the pot leaves and let the gentle mellotron patina take you to a new land. I guess the key to The Moody Blues' success was that they never asked too much of the listener (like Yes or King Crimson), but never insulted them (like Chicago would, eventually.) In 1975 they all recorded solo albums, and they were also pretty good.
Justin Hayward - Forever Autumn (1978)
Ray Thomas - Hey Mama Life (1975)
Graeme Edge Band - Somethin' We'd Like To Say (1975) Trivia! Barry St. John sang backup on this album. She appeared on "Dark Side of the Moon" and of course, she was in Les Humphries Singers.
Graeme Edge Band - Be My Eyes (1977)
John Lodge - Into to Children of Rock 'n' Roll (1977)
John Lodge - Children of Rock 'n' Roll (1977) Featuring Kenny Jones on drums. He was in The Small Faces, then The Faces with Rod Stewart, and then released a single in 1974 ("Ready or Not") and then this. He also played in Paul McCartney's supergroup Rockestra around this time. Maybe this is where he met Pete Townshend.
Mike Pinder - The Promise (1976) My favorite Moody released the blandest solo record of the lot. Maybe he found religion and not just mysticism. Whatever the case, I was disappointed by this. "Solar heaven?"
Mike Pinder - Free As A Dove (1976) This was co-produced by Robert Margouleff, one of the main forces behind Stevie Wonder's golden era. He and his partner Malcolm Cecil brought (and tamed) synthesizers from their unwieldy beginnings into unlikely mainstream dominance. He worked with Billy Preston, The Isley Brothers, Devo, Syreeta Wright, and Stevie. Also, a curious album was released in 1980 by a group that was ubiquitous at the time, The Bus Boys. Remember? Their hit was "(The Boys Are) Back In Town." They recorded a song with Eddie Murphy in 1988 called "Never Giving Up." I wonder what happened to them to stop their momentum. Does either of you know offhand?
John Lodge - Natural Avenue (1977)
The Graeme Edge Band - Paradise Ballroom (1977)
The Graeme Edge Band - We Like To Do It (1974)
The Moody Blues - The Word/Om (1968)
Ray Thomas - Adam and I (1975)
The Moody Blues - The Balance (1970) This song was co-written by Edge and Thomas. Most Moody Blues songs were written by one member.
The Moody Blues - In The Beginning/Lovely To See You (1969) This record came with a booklet that included all the lyrics and credits, ornately written. To wit:
The Moody Blues - The Dream/Have You Heard (1969)