D-Sides, Orphans, and Oddities
Episodes
Sunday Apr 17, 2022
For my 200th Podcast, I wanted to thank you all. Greatest Hits, Part 1.
Sunday Apr 17, 2022
Sunday Apr 17, 2022
There are enough people out there who yearn for the arcane, the odd, the unsuccessful, the strange, and the historically overlooked to justify 200 podcast episodes of D-Sides, Orphans, and Oddities.
This makes me happy, and the topics are inexhaustible. From the strange singles of Freddie Cannon and Lou Christie to the occasionally wonderful singles of Les Humphries Singers, Doris, Os Mutantes, to the strange paths to fame like The American Breed ("Bend Me Shape Me") evolving into Rufus, and then Chaka Kahn, and then "I Feel For You", her biggest hit, written by Prince, but the Kahn version was actually the 4th release and, had Patrice Rushen opted to try it (she turned it down), the 5th. A Prince song with Stevie Wonder playing harmonica over his own voice being sampled.
To me, pop music is styles and the biggest records tend to be styles smooshed together. People like dangerous white music and safe black music. People like rap, but with a melodic vocal hook. While the Bee Gees were not a disco group, the Saturday Night Fever movie was a perfect petri dish. Combine Travolta's white-hot star power with the zeitgeist of Disco and the very odd recordings the Bee Gees were doing at that time. It was the success and the playing it safe in the movie's wake that doomed them.
The Beatles were preternaturally gifted with a work ethic that would kill the musicians of today. But their fame was also born of withering luck. A producer and a manager (and record company) that didn't really know what they were supposed to do with these four tough guys. None of them tried to make The Beatles pick a lead singer, so, like their live act, all four would do it. Because they had the shocking temerity to say "Nope, we're not doing that song...", it was like saying to someone with a gun In your face, "Go ahead. We've come this far. You don't know WHAT we've seen. We see through you, over and over. In Germany. In Sweden. In Wales. We never said 'no' to a gig, no matter how much driving or begging or lack of sleep, and if the Reeperbahn couldn't stop us, what makes you think YOU will?" And their genuine love of Black music somehow broke the barriers for generations of singers, players, etc.
Imagine that moment. You're in The Beatles, you've struggled and burned the roads up and played innumerable gigs, and sat, nose to nose, creating songs in your room that people would be singing and playing for 60 years hence. But now, the sessions begin, and the man in the tie wants you to record a "ringer". And you try it, but it doesn't really do anything. It's ok. But you have to decide. Play the game? Or risk this dude's red pen.
Or show up with something better.
And the guy with the tie has been through some shit as well. And he's tired of being relegated to 2nd string and he resents being put in a place where these four punks dare question his choice. Do better. I'm tired of this shit.
And "Please Please Me" is as black a record as anything any band from England before them had tried. And that little phrase can be attributed to everything they tried after that. Because they proved it, in that ONE shot across the bow that would resonate for what will be eons, that your old choices for ringers, publishing company favors, Brill building production lines, plug-and-play Motown stuff, etc., were going to either fade or have to adapt.
I stop my show pretty much at 1980 because that's when drum machines and synths became songwriting devices. I never liked Joy Division. I just don't get it. At that point, and with exceptions, sure, drum programming and synth programming made songwriting easy. That didn't make the songs any better. Just easier to make. Someone else can do that show.
Anyhow, this is to say thank you to all the folks that have listened and downloaded.
THIS show is me delivering a preamble and then playing 4 hours of music from past shows that I really like. Let's call this "Part 1" because the show, as I originally tried to put it together, lasted 10+ hours. So consider this show when you're on a long drive, doing work, making love to your woman, or man, or both, or none.
So......
This is the setlist, but they’re not all ‘good songs’. Some are meant to show you the arcane nature of what I find most enjoyable. Song-poems (“The Beatle Boys”), artists coping with the end of their heyday (Gary Glitter) and ill-prepared for life after that, or artists way before they found their niche (The Gap Band). And, of course, groups I love like Rose Tattoo, The Free Design, and SAHB.
Leo’s Sunshipp - Give Me The Sunshine (1978)
The Free Design - My Very Own Angel (1969)
GLS United - Rapper’s Deutsch (1980) Samples “Rapper’s Delight”, which samples “Good Times” by Chic, “Here Comes That Sound Again” by Love De-Luxe with Hawkin’s Discophonia (which i played on one of my previous shows), and a quote from the movie Five on the Black Hand Side, specifically, a scene in the barbershop that predated the advent of Rudy Ray Moore’ Dolemite character by 2 years.
Louis Armstrong - The Creator Has a Master Plan (1970) w/ Leon Thomas
Rick Wakeman - I’m So Straight, I’m a Weirdo (1980) I just like playing this awful oddity from the keyboard player from Yes. This record defies description. But if you see the video on Youtube, look for a young Boy George.
James Last - Inner City Blues (Make Me Wanna Holler) (1971) From the album Voodoo-Party.
Billy Preston - My Sweet Lord (1970) One of two albums he released on Apple Records.
Rod Rogers (really, Rod Keith) and the Swinging Strings - The Beatle Boys (196?)
The Gap Band - Magician’s Holiday (1974)
Gary Glitter - A Little Boogie Woogie in the Back of My Mind (1977)
The Free Design - There Is A Song (1972) I will never stop praising this wonderful group.
Stuart Damon - Eros (1970) Dr. Alan Quartermaine from General Hospital had a brief singing career.
The Millennium - There Is Nothing More To Say (1968) Lou Christie lifted this wonderful melody for his own “Canterbury Road" later that year. From the film “Till [sic] Kingtom Comes”.
XTC- Across This Antheap (1987) I never tire of this amazing track. It’s my show.
Aerosmith -Nobody’s Fault (1976) I like Aerosmith’s ’70s albums very much. They were all loaded with hidden gems, and to me, “Nobody’s Fault” was just the most succinct example of a band that made consistently good/great albums.
Frank Zappa - Andy (1980) A great, difficult tune (you try it with your band.) Recorded live in Buffalo.
Annette Peacock - The Succubus (1979)
The Red Shadow - Anything Good (1975)
Carpenters - B’wana She No Home (1977)
Bruford - Back To The Beginning (1978)
Frank Sinatra - Bad, Bad, Leroy Brown (1974)
Barry McGuire & The Doctor - South Of The Border (1970) I love this song. We are on the eve of destruction indeed. Might as well…
Beach Boys - Rollin’ Up To Heaven (1972?) This is so insane, and especially from a major artist, that it defies categorization.
Rose Tattoo - We Can’t Be Beaten (1982) Ferocious.
Billy (Crash) Craddock - Knock Three Times (1971)
Led Zeppelin - Black Dog (1972) Unbelievable live version from “How The West Was Won”. Listen to those bass drum tricks. Especially during the coda. I wish Robert Plant never smoked. A normal drummer would go crazy with fills. Bonham put them where they belonged, no more. He showed amazing restraint at times. You wouldn’t think so, but he was a grooving monster above all else.
Black Oak Arkansas - Hot And Nasty (1971)
Michael (Mick) Jackson - Blame It On The Boogie (1978)
Bob & Earl - Harlem Shuffle (1969)
The Kids From The Brady Bunch - Candy (Sugar Shoppe) (1972) So inappropriate that I wonder what the record company/TV show producers were thinking. Good song and a nice performance by the studio band.
Bread - Everything I Own (1972)
Carla Bley - Rawalpindi Blues (1972)
Nick Mason - Do Ya? (1980)
Liberace - Say Ciao (1970) Liberace puts it into words and music..."Never Say Goodbye, Say Ciao"...capturing the mood of Ciao Liqueur...the imported new liqueur with the elusive new taste. I can’t find another song that Liberace wrote himself.
Crack The Sky - Surf City (Here Come The Sharks) (1975)
Les Humphries Singers - Dancing Queen (1976) You can still hear Jimmy Bilsbury’s straining, smoky tenor in the choruses. “Having the time of your life…” Poor guy.
Eddie Kendricks - Me 'N Rock 'N Roll Are Here To Stay (1974)
Denny Greene - The Great Escape (1981) Ex-Sha Na Na member trying to break type like J Jocko tried a few years before. I love this. This is a dance mix of the original he did in 1977.
Dennis Wilson - River Song (1977)
Doris - Did You Give The World Some Love Today, Baby? (1970) No one knows who Doris is. I’d rather listen to her and this crazy Swedish band for a year before I ever give any time to Janis Joplin.
Rotary Connection - Didn’t Want To Have To Do It (1967)
Adriano Celentano - Prisencolinensinainciusol (1972) This is a wonderful remix of the original fluke hit.
The Move - Do Ya (different version) (1971)
Jeff Lynne - Doin’ That Crazy Thing (1977)
Rick Nelson - Don’t Blame It On Your Wife (1968)
Sha Na Na Anti-Drug PSA (197?)
Doris - Beatmaker (1970)
Dschinghis Khan - Rocking Son Of Dschinghis Khan (1979)
Edith Head Fashion Prescription
Emerson, Lake, and Palmer - Trilogy (1973)
Utopia - Eternal Love (1976)
Alix Dobkin - View Form Gay Head (1973)
Fats Domino - Everybody’s Got Something To Hide Except For Me and My Monkey (1968)
John Farrar - Falling (1980)
Creedence Clearwater Revival - Feelin’ Blue (1969)
Laverne and Shirley - Five Years On (1976) Written by Michael McKean. His story is too long for me to get into. For POACA he was "Lenny" of Lenny and Squiggy. Or he was David St. Hubbins in Spinal Tap. Or he was Saul Goodman's brother in Better Call Saul.
Genesis - Fly On A Windshield/Broadway Melody of 1974 (1974)
Fonzie Impressionist Track (Aaaaay, Cool, Nerd, Sit On It) (1976) One of the weirdest things in my collection. Why does it exist? And then it repeats in reverse!!
Thursday Dec 02, 2021
Thursday Dec 02, 2021
Bruford - Age Of Information (1980) I guess, if I'm going to call the Bowie band of 1975-1980 the best band of the decade, this group would come close to that. With the inimitable style of Jeff Berlin on bass and the wonderful Bill Bruford on drums, this album might have been the closest Prog came to the elusive jazz/pop hybrid bred into the bone for so many of the Prog hopefuls of the era.
Jan Hammer Group - Don't You Know (1977)
Can - I Want More (1976) Can was a sometimes impenetrable German Prog outfit. Their music in the early part of the decade wasn't something I could say I liked, even though I tried like heck. This was a single, which kinda makes sense. All Prog was catching a terminal disease at this juncture, but no one knew it.
Renaissance - Flight (1983) I messed this song up on my show, but this is not a bad record. Renaissance had some great moments in the '70s, and if you are interested, go find Scheherazade and Other Stories from 1975. Like Close to The Edge, it only has three songs, but I think that record is their apex by a mile, and I like the other albums. This was from their last "Golden Era", Time-Line album, although it had been a while since they could get a record company to pony up the do-re-mi for an orchestra.
Discogs: Renaissance was originally formed in London, UK, in 1969 by ex-Yardbirds vocalist Keith Relf and drummer Jim McCarty who wanted to explore a new sound blending elements of rock, folk, and classical music. Relf assumed the role of guitarist, and they were joined by bassist Louis Cennamo, keyboardist John Hawken, and vocalist Jane Relf. This lineup recorded the first self-titled album and most of the second album, Illusion (1971). A rapid series of personnel changes followed. Guitarist and composer Michael Dunford first appeared on Illusion. Before his departure from the band Hawken recruited new vocalist Annie Haslam. By 1972, when the Renaissance recorded their third album, Prologue, none of the original members remained though McCarty still wrote music for the band.By 1973 the lineup had stabilized with Haslam, Dunford, keyboardist John Tout, bassist and vocalist Jon Camp, and drummer Terry Sullivan. This lineup produced a string of relatively successful albums over the remainder of the decade. They had one Top 10 single in the U.K., "Northern Lights", from the album A Song For All Seasons (1978).By 1980 Sullivan and Tout departed leaving Haslam, Dunford, and Camp as the stable core of the group with various other musicians coming and going through the early and mid-1980s. The group released two albums, Camera Camera (1981) and Time-Line (1983) which were not well received by either fans or critics. Renaissance went into the studio to record a further album but found themselves without a label willing to release it. Material for this album as well as discarded tracks from the sessions for the previous three releases finally saw the light of day as Songs From Renaissance Days in 1997. [Ed: Which I gobbled up the day it came out, as there was no other domestic CD of this group available at the time.]
Yes - The Revealing Science of God (1973) There are moments in this song that, to me, are just amazing, transcendent, and still cause chills maybe 40 years after the first time I heard them ("Getting over overhanging trees...") like almost all of Yes' epic side-long monsters. There's a reason Prog fans like me are filled with sadness that the people who made this magic for us cannot seem to just stop recreating or trying to recreate these moments with an ever-shifting group of lesser talents. The Beatles did it right. They just stopped, resisted the potentially lucrative urge to make themselves stand there again, together, and recreate sounds from which they had long ago moved past. I like this. There's a real fire that people might have forgotten these very young men possessed.
King Crimson - Thela Hun Jinjeet (1981) So this might be #3. Tony Levin played on some later Yes albums, as well as Peter Gabriel (he plays the Chapman Stick, a strapped upright instrument with both tenor and bass strings). He also played with Paul Simon and hundreds of others. Robert Fripp played with David Bowie on his Berlin Trilogy, and Bill Bruford was amazing in Yes, his own band, Bruford, and...Genesis during a tour! Bowie and...Adrian Belew!! Who is here after stints with Talking Heads, Zappa, Tom Tom Club....it goes on and on, but I really like anything Bill Bruford played on.
Bruford - Gothic 17 (1980) I've played stuff from Bruford's first record with Annette Peacock. This is in that funky, other-worldly combination of jazz and pop. I love Jeff Berlin's voice. I wish they had dome more records together. Go find "Joe Frazier" off this album. Whoo boy.
Gentle Giant - Interview (1976)
Genesis - One For The Vine (1977) Genesis at their peak. It's hard to believe it now, but this was composed solely by Tony Banks. The scope and drama, pathos, and virtuosity amaze me especially when one considers that he (and they) never created anything this beautiful again. Who was the best keyboard player in Prog? I think about it and Kerry Minnear comes to mind, as he really was the creative force in Gentle Giant. But neither he, Keith Emerson, Rick Wakeman, or any of the others, as good as they were, authored something as wonderful as this.
Rush - Jacob's Ladder (1980) I don't care what you say. This album is peak Rush. After years of album/tour/album/tour, "The Spirit of Radio" captured their amazing musicianship, their cool humor, and the fact that you could be groovy in 7/8. I think of this record as the end of the beginning, but not in a good way. I played this in a band once. We were terrible. I had a tiny Casio keyboard (it was all we could afford) and I couldn't play the last bit on bass with anything resembling speed. Our drummer was great.
Discogs: Rush's seventh studio album.The cover depicted the famous incorrect headline "Dewey Defeats Truman" on a newspaper in the bottom left corner.However, the Chicago Tribune (the paper that originally published the error) pressured the band to remove the headline. Some versions appear altered with either "Dewei Defeats Truman" or a blanked section.The billboards in the distance (mid-right) originally read "Coca-Cola." However, the cola company objected to the use of their logo and the cover was changed to display the band members names in a similar typestyle to the original logo.Trivia: The woman on the cover of this album is model Paula Turnbull. Contrary to rumor, the guy waving in the background on the cover is not one of the members of Rush, it's actually Hugh Syme, the art director of the album.
UK - In The Dead of Night/By The Light Of Day/Presto Vivace and Reprise (1978) One of the first Prog supergroups, members of other big groups smooshed together. In this case, John Wetton of King Crimson, Roxy Music, Uriah Heep, Mogul Thrash, etc., Bill Bruford, the amazing Allan Holdsworth (Soft Machine, Gong) , and Eddie Jobson (Zappa, etc.) make a great album. Then Bill leaves, and Terry Bozzio (Zappa) records another record and a live album, and then...Asia.
Joe Simon - Before The Night Is Over (1977)
I don't consider The Moody Blues or Pink Floyd prog.
Tuesday Nov 30, 2021
The Moody Blues
Tuesday Nov 30, 2021
Tuesday Nov 30, 2021
Were The Moody Blues "prog"? I don't think so. They weren't virtuosos in any sense, although they were all very competent (or somewhat competent - Graeme Edge wasn't asked to do much, really) but they WERE unique and extremely popular. And every album has a treat or two. At least the ones before 1983. All you had to do was light a marijuana joint with the pot leaves and let the gentle mellotron patina take you to a new land. I guess the key to The Moody Blues' success was that they never asked too much of the listener (like Yes or King Crimson), but never insulted them (like Chicago would, eventually.) In 1975 they all recorded solo albums, and they were also pretty good.
Justin Hayward - Forever Autumn (1978)
Ray Thomas - Hey Mama Life (1975)
Graeme Edge Band - Somethin' We'd Like To Say (1975) Trivia! Barry St. John sang backup on this album. She appeared on "Dark Side of the Moon" and of course, she was in Les Humphries Singers.
Graeme Edge Band - Be My Eyes (1977)
John Lodge - Into to Children of Rock 'n' Roll (1977)
John Lodge - Children of Rock 'n' Roll (1977) Featuring Kenny Jones on drums. He was in The Small Faces, then The Faces with Rod Stewart, and then released a single in 1974 ("Ready or Not") and then this. He also played in Paul McCartney's supergroup Rockestra around this time. Maybe this is where he met Pete Townshend.
Mike Pinder - The Promise (1976) My favorite Moody released the blandest solo record of the lot. Maybe he found religion and not just mysticism. Whatever the case, I was disappointed by this. "Solar heaven?"
Mike Pinder - Free As A Dove (1976) This was co-produced by Robert Margouleff, one of the main forces behind Stevie Wonder's golden era. He and his partner Malcolm Cecil brought (and tamed) synthesizers from their unwieldy beginnings into unlikely mainstream dominance. He worked with Billy Preston, The Isley Brothers, Devo, Syreeta Wright, and Stevie. Also, a curious album was released in 1980 by a group that was ubiquitous at the time, The Bus Boys. Remember? Their hit was "(The Boys Are) Back In Town." They recorded a song with Eddie Murphy in 1988 called "Never Giving Up." I wonder what happened to them to stop their momentum. Does either of you know offhand?
John Lodge - Natural Avenue (1977)
The Graeme Edge Band - Paradise Ballroom (1977)
The Graeme Edge Band - We Like To Do It (1974)
The Moody Blues - The Word/Om (1968)
Ray Thomas - Adam and I (1975)
The Moody Blues - The Balance (1970) This song was co-written by Edge and Thomas. Most Moody Blues songs were written by one member.
The Moody Blues - In The Beginning/Lovely To See You (1969) This record came with a booklet that included all the lyrics and credits, ornately written. To wit:
The Moody Blues - The Dream/Have You Heard (1969)
Saturday Nov 13, 2021
Some Great Songs From Past D-Sides Episodes!
Saturday Nov 13, 2021
Saturday Nov 13, 2021
Stevie Wonder - Light My Fire (1970) Listen to that bass player.
Syreeta Wright - Spinnin' and Spinnin' (1974) No one was EVER as hot as Stevie in the '70s, and the album this came from proves that even occupied with his own music, he can lovingly produce one of the best female-sung records of the '70s. I love this factoid from Wikipedia:
Three artists who performed on this album (Stevie Wonder, Deniece Williams, Michael Sembello) would all have Billboard number one songs ("I Just Called to Say I Love You", "Let's Hear It for the Boy", and "Maniac", respectively) within a year of each other, a decade after this album's release. Another artist on this album, Ollie Brown of Ollie & Jerry, would have a Billboard top ten single, "Breakin'... There's No Stopping Us", in the same one-year period.
The song "Come And Get This Stuff" was originally intended for Rufus, but lead singer Chaka Khan refused to do the song. Instead, Stevie wrote "Tell Me Something Good" for them which appeared on their album Rags to Rufus.
There's no word to describe how good he was in this five-year period.
This song made it to #49 in the UK, and never a peep in the US, which is a shame.
Gentle Giant - Weekend Cowboy (1970) I love their sound on these early demos. Less prog than they would become, a sort of The Band meets Harry Chapin. Through the filter of England, of course.
Godley and Creme - Random Brainwaves/I Pity Inanimate Objects (1979) When Gary Storm played this on Buffalo's WIZR 107.7, I had never heard anything like it. I still love what they did with the backing vocals.
Jimmy "Bo" Horne - Dance Across The Floor (1978)
Lawrence Hilton Jacobs - Larry's Theme (1978) He was Freddie "Boom Boom" Washington on Welcome Back, Kotter and Michael Jackson's father Joe on The Jacksons: An American Dream ("Get the switch!") but I actually find his albums in the late '70s very listenable, especially this. So much shit came out from TV stars around that era. Scott Baio was the worst.
Les Humphries Singers - Mexico (1972) Included here because doing this show helped me discover them. My one-man raison d'être is to make you a believer! It's not that good. Just a strange pre-sampling curio.
Nino Tempo and April Stevens - Love Story (1972) From Buffalo, NY! Their biggest hit was "Deep Purple" from 1963. They were siblings. God, she was beautiful. Her first record came out in 1950 (!) but her biggest solo hit was "Teach Me, Tiger" from 1960. She reprised this in 1965, but this was virtually the same recording, with dialog implying that she had kidnapped one of The Beatles in order to seduce him. Just wow. I love it.
Men At Work - Down Under (original, non-hit version) (1980)
A brief retelling of The Greg Ham Story. Don't Do Drugs.
Mudcrutch - Don't Do Me Like That (original, non-hit version) (1974) The almost note-for-note prototype for the Tom Petty hit a few years later.
The Osmonds - War in Heaven (1973)
Sammy Davis Jr. - John Shaft (1972) Ok, ok. Shaft. Ok! Shut up and let me finish my dinner.
Sha Na Na PSA (1972)
Pink Floyd - Scream Thy Last Scream (1967) I was surprised to learn that Nick Mason sang this.
Bee Gees - Lovers (1976) This is a very strange and wonderful album track from a band on its....third ascension?
Sensational Alex Harvey Band - The Dolphins (1979) I love this song as much as any I have ever played on D-Sides. I never would have heard it if not for this show.
The Langley Schools Music Project - The Long and Winding Road (1977) You should read about this. I think I read about this in RE/Search magazine.
The Residents - Give it To Someone Else (1980) Every song on The Commercial Album is about 60 seconds long. There are 20 per side.
Wild Cherry - Baby Don't You Know (1977) A wonderful, horrible attempt to recapture the lightning of the last single, "Play That Funky Music". THIS is how you follow up a fluke hit:
One more timeWell we play that funky musicAnd we were looking so good yeahElectrified funky feelingWas coming down like I thought it wouldSo we went out on the road yeahTry to get ourselves aheadAnd on the way I was surprised to discoverThat all those funky peopleHad been misled, they were shouting outBlack? NO! White? Right!, Oh what a sight!I really didn't know the suckers was whiteBaby don't you know, Baby don't you knowBaby don't you know, Baby don't you knowThat the honkey's got soulBaby don't you know, Baby don't you knowBaby don't you know, Baby don't you knowThat the honkey's got soul
Roger Nichols and Small Circle of Friends - Don't Go Breaking My Heart (1968) So beautiful, especially the "Middle 8". Just amazing harmonies.
The Free Design - Day Breaks (2001) This will be my funeral song. I don't WANT a funeral. Just a little party for people to remember funny stories about me. In life, very few people are still in touch with me in an earnest sense. People have come and gone and sometimes I look around and wonder if someone should have bought me a ball gag long ago. Still, even after all the mistakes I have made in my life and my dealings with people I have lost, I know deep down that some people will be genuinely touched by the fact that we met and decided to be in each other's lives for as long as we had. If you listen to this song and put yourself in that place, celebrate the people who DID choose to be with you, no matter WHAT you said. Everyone is broken. Everyone. You're not alone.
Co-written by my friend Bruce Dedrick.
The Free Design - Friendly Man (1971)
Adriano Celentano - Prisencolinensinainciusol (1972) This song is being used for a commercial in the US. I like to think it's because of me.
The Beatles - Revolution (Take...Your Knickers Off!) (1968)
Monday Sep 27, 2021
Monday Sep 27, 2021
Born in North Carolina, Ray Denson started to dance professionally in 1951, taking on the professional name of Billy Lamont. His singing career started in 1956.
"(Zap! Pow!) Do the Batman" was recorded for Atlantic in January 1966 with Gate Wesley and his band, one of the first Batman records. "Communications Is Where It's At, Parts 1 & 2" was credited to Billy the Baron & His Smokin Challangers (sic), released in 1976. Probably Lamont's final release was the 12-inch maxi-single "The Man With the Master Plan"/"The Cowboy" (credited to Billy Lamont & the Unn Band), issued in 1980.
Billy Lamont died on June 3, 2012, aged 82.
Billy The Baron & His Smokin Challengers - Communications Is Where It's At (1975)
Billy Baron and the Umm Band - The Man With The Master Plan (1980)
Gate Wesley & Band - (Zap! Pow!) Do The Batman (1966) Billy LaMont on lead vocals
Freddie Cannon - She’s A Mean Rebel Rouser (1983) On Amherst Records! Notice the label reads, "From The LP 'Rock Attack'" which never came out. Oh, Lenny...I played this side because the credited writer Frederick A. Picariello is Freddie Cannon's real name. He wrote this. Old rocker to the bone. In his discography, his name is spelled "Freddy" AND "Freddie".
Side 2 of the 1966 Musicor Label All-Star (?) Album "The Gene Pitney Show"!
Gene Pitney - There's No Living
The Critters - I'm Gonna Give
The Bitter End Singers - I'm On The Run
Teddy and the Pandas - (Bye, Bye) Out The Window
Steve Rossi - My Alphabet of Tears
Marie Knight - Cry Me A River
Selections from the 1973 album, "Carnival", by The Les Humphries Singers.
Dixie
Something I Saw
Uniform
Carnival
Me - Scare Us (2012)
The first try was so successful, we need to do it again.
Percy Faith - A Summer Place '76 (Original release in 1959) In 1960, the original Percy Faith version (from the movie of the same name) reached #1 on the Billboard Hot 100 chart for nine consecutive weeks, a record at that time.
Gene Vincent - Be-Bop-A-Lula '69 (1956) Produced by Kim Fowley, the remake eliminates the swing in favor of a straight 4/4. The original reached #7.
Charlie Daniels Band - Uneasy Rider 88' (1973) The original reached #9. Charlie Daniels had played on records by Bob Dylan, Leonard Cohen, and co-wrote the Elvis song, "It Hurts Me." And apparently, he felt the need to retro-fit his big hit to denounce gays instead of hippies. His biggest hit was "The Devil Went Down To Georgia."
Bobby Hebb - Sunny '76 (1966)
The Residents - Santa Dog '78 (1972)
The Moonglows - Sincerely '72 (1954)
Sœur Sourire (The Singing Nun) - Dominique '82 (1963) Belgian singer (born Jeannine Deckers) in 1933. Later she became a nun (Sister Luc-Gabrielle) and recorded 'Dominique' in 1963. The song was an international hit and even reached #1 on the Billboard chart after it was released in the USA with the artist name 'The Singing Nun'. The Singing Nun also achieved the remarkable feat — the first in American chart history — of a simultaneous No. 1 single and No. 1 album, both of which sold over a million copies.
She committed suicide on March 31, 1985. Deckers and her companion Annie Berchet were found dead in a flat at Waure near Brussels. Both had taken an overdose of barbiturates. The tragedy happened after the Belgian authorities demanded the tax from the monies earned during her fleeting 15 minutes of fame. The convent took a large share of the royalties from her success, as did her record company.
This apparently left the former nun in such a state of depression that she took her own life. In a joint suicide note, Deckers wrote: “We are going together to meet God our Father. He alone can save us from this financial disaster.”
I told you. Religion ruins everything.
Michael Rabon & The Five Americans - I See The Light '69 (1965) John Durrill was the keyboardist and wrote "Dark Lady" for Cher.
Louis Jordan - Caledonia '56 (1945)
Johnny Kidd & The Pirates - Shakin' All Over '65 (1960)
Legendary Stardust Cowboy - Paralyzed '80 (1968)
Andre Williams - Bacon Fat '86 (1956)
Tuesday Sep 07, 2021
My Vinyl Collection Keeps Getting Bigger and Worse.
Tuesday Sep 07, 2021
Tuesday Sep 07, 2021
Allen & Rossi - Sway (1976) POACA will recall Marty Allen's ubiquitous presence on 70s talk shows and game shows. Whether they like it or not. Naw, he was funny! More Allen and Rossi vinyl to come!
From Both Sides Now, a wonderful resource for people wanting to know the stories behind the labels: The Calla label started in 1965 as an independent New York label, owned by Nathan (Nate) McCalla. Calla hit big with J.J. Jackson's "But It's Alright" in 1966, a song recorded in England with British musicians backing Jackson, and then turned this 45 hit into an LP of the same name. Calla licensed the rights to J.J. Jackson's material to Warner Brothers sometime later, and the same song re-charted in 1969 on WB. Other artists on the label included The Sandpebbles, Jean Wells, Billy Mitchell, and Betty LaVette, Rudy Love, and The Persuaders.Early singles and possibly the first album were distributed by Cameo-Parkway, but Cameo-Parkway soon ran into problems staying in business. With Cameo-Parkway on the rocks, McCalla decided to do his own distribution. McCalla was a friend of Morris Levy and was part of the Roulette Records group of labels, but operated independently as far as distribution. This worked well until 1972 when the material seemed to dry up.Calla was all but inactive for the 1972-1975 years. But in 1976, Calla issued a handful of albums distributed by a company called Shakat Records. The albums that sold well were shifted to CBS for distribution later that same year, and CBS eventually reissued several of the Calla albums on Epic, with a small Calla logo.Calla shut its doors in 1977 when Nate McCalla decided to go on an extended stay outside the United States. When he returned in 1980, he was soon murdered. Like many record company execs, Nate McCalla was less of a studio man and more of an office man, one who knew what he liked, signing a wide variety of musical genres to his label. He leaves a relatively small but quite interesting musical legacy.
Dennis Parker - New York By Night (1979) 12" Mix.
Dennis Parker - Like An Eagle (1979) 12" Mix"
Look at this guy. Just look at him. Sweat. Muscle. Mmmm. I think I'm gay now. Actually, he did straight porn AND gay, and he hooked up with Jacques Morali, and then made this album. I actually like it. As disco goes, it's in the hands of the master. And so was Dennis, for a while.
Side One of "The Gene Pitney Show" (1966): This is a fake live album, with Joe O'Brien as emcee. The album features several Musicor acts of the time, many of whom never had an LP release, meaning that this album is the only place to find some of these songs in stereo. I believe this album was meant as a ploy to get more exposure to other Musicor acts by having their biggest star (Pitney) "appear" with the others in concert. However, as stated earlier, this is a fake live album, and a poorly done one. Crowd noises are added in at seemingly random points in the songs, some of the sound effects weren't properly cued up so you can hear the FX record gain speed. On top of this, Joe O'Brien randomly starts speaking at random points on some tracks. If it weren't for the hard-to-find songs (in stereo or mono) this would be just a waste of vinyl.
Gene Pitney - Backstage
The Critters - Georgianna
The Bitter End Singers - Let Me In or Keep me Out
Teddy and the Pandas - Once Upon A Time
The Platters - I Love You 1,000 Times
Danny and Diego - Glitter and Gold
Tony Bruno - This Time You're Right (1974)
Tony Bruno - Love Was Born Today (1974)
I'm glad I bought this little-known soundtrack to a little-known movie with songs by a little-known singer that I love (Tony Bruno).
Elliot Lurie - Rich Girl (1976)
Elliot Lurie - Disco (1975) I have raised 3 children, done thousands of gigs, won Musician of the Year in High School, etc., but NOTHING gives me more pleasure than doing my imitation of Elliot Lurie.
Therapy - Fantasia on Eleanor Rigby (1975) Sleeve notes: "This album, our third, is a selection of material which can be heard at a typical Therapy performance."
I'm the Greatest - David Hentschel (1975) Phil Collins on drums.
Selections from Side One of Les Humphries Singers' "Carnival" album (1973) WHICH I OWN!!:
Kentucky Dew
Do-Da
Lonely Kind of Man
Square Dance
Les Humphries was not a bad songwriter at all. Somewhat derivative in places, but mostly inoffensive pop in the vein of Gilbert O'Sullivan or a young Elton John after a night out.
Os Mutantes - Panis et Circenses (1970) English version. Translates to "Bread and Circuses".
Os Mutantes - I Feel A Little Spaced (1970) English version of "Ando Meio Desligado". These are not bad. I think the songs are so good and the performances so sincere and unaffected that they transcend our clunky lexicon. They must have done this to expand their audience in the USA. It didn't work but I'm glad they released this at all.
Bobby Lee Trammell - You Mostest Girl (1958) Our favorite guy, Bobby Lee Trammell, records an almost note-for-note copy of Elvis' "You're So Square (Baby I Don't Care)".
J.D. Drews - Don't Want Nobody (1980) Jürgen Drews from the aforementioned LHS tries to break into the American market by anglicizing his name and adopting all the quirky affect of a real-live New Wave singer with somewhat staid results. This song was written by P Delph and D Edwards. I can't see that they wrote anything else. The Brecker Brothers, Jan Akkerman, and Joe Chemay.
Pete Sacco - Pennsylvania (197?) Lou Christie's brother recorded this on the Lightning Label.
Saturday May 23, 2020
The Les Humphries Singers Tribute!!!
Saturday May 23, 2020
Saturday May 23, 2020
Rose Tattoo - We Can’t Be Beaten (1982) Sounds like AC/DC, no? Same producers. I love Rose Tattoo. I have discovered lots of good stuff doing this show. I like this band.
Andy Williams - Age of Aquarius/Let The Sun Shine In (1969) As I said, Andy tied EVERYTHING. He refused to be tied down.
Billy Paul - Let ‘Em In (1976) A cover of the almost concurrent original by Paul McCartney and Wings. Only this version features references to black heroes and well-known newsmakers.
Dean Martin - By The Time I Get To Phoenix (1968)
Elton John - Goal Diggers (1977) Wikipedia:
"The Goaldiggers Song" is a charity single by Elton John, released in 1977. The song is written for the Goaldigger's charity to provide playing fields in under-privileged areas. At the time in 1977, Elton John was living reclused in London; the only time he would go out was to go see his football team Watford F.C. play. The single never charted anywhere, as it was a limited charity release-only 500 copies were pressed, approximately half of which were signed by Elton. It was available for a cost of five UK pounds by mail-order only and featured Elton and a number of other British celebrities including Jimmy Hill and Eric Morecombe in conversation on the B-side. The tapes were destroyed after the pressing, so no other official copies of the recording exist.
The song is written, composed and performed solely by Elton John; the song features only his piano and multi-tracked vocals. The actual disc does not contain writing or production credits, and since the release of the single, it hasn't appeared on any album or been reissued in any format.
Eric Burdon & The Animals - It’s All Meat (1967)
The Commodores - The Bump (1974)
The Free Design - Love Me (1970)
Most of Les Humphries songs were either familiar covers and medleys for dance party records, mixed in with originals co-written with Jimmy Bilsbury. Bilsbury was a likable showman with a voice like Ray Charles, but in some LHS videos, especially the later ones, he is clearly struggling with a chemical problem. He was in the Magic Lanterns before the LHS.
The Les Humphries Singers - Mama Loo (1973) This is basically a retooled "Barbara Ann" with lyrics changed enough to avoid copyright problems. Maybe? Did no one in Austria know the song Barbara Ann? Reached #1 in Germany.
The Les Humphries Singers - California (1975) Nice, layered harmonies with more borrowed lyrics, terrible rhymes, but I like it somehow. It's the German approximation of Brian Wilson.
The Les Humphries Singers - Mexico (1972) LHS's biggest hit. And a direct rip off of "The Battle of New Orleans." Layered harmonies, some touches of modern (for the time) production and a great hook made this a huge hit for the band. This market the end of their attempts to parlay their "Hair" schtick into a marketable strategy, and from here on in it was songs about the American south and other...states. I love LHS. Such a strange thing. I think this was another copyright dodge.
The Les Humphries Singers - Check It Out (1975)
The Les Humphries Singers - Carnival (1973) A rip-off of "The Locomotion" or "Surf City" with a soupçon of "Peggy Sue" thrown in.
The Les Humphries Singers - Timex Commercial (1975) Very German. Still, kind of groovy.
The Les Humphries Singers - Kansas City (1974) Same production tricks as "Mexico". I'm thinking no one who liked LHS had ever been to America.
The Les Humphries Singers - I’m From The South, I’m From G-O-R-Gia (1973)
The Les Humphries Singers - Spanish Discotheque (1976)
The Les Humphries Singers - Take Care of Me (1972)
The Les Humphries Singers - Tell Me Why (1972)
The Les Humphries Singers - Do You Wanna Rock and Roll? (1974)
The Les Humphries Singers - The Writing Is On the Wall (1974) My favorite Les Humphries song by far.
The Les Humphries Singers - New Orleans (1974) It continues. The love affair with the American south as a cynical marketing ploy.
The Les Humphries Singers - Sing Sang Song (1976) Their Eurovision entry for 1976. They finished #15, which I guess is bad.
Petula Clark - Rain (1966)
Jose Feliciano - Help! (1966)
Norman Luboff Singers - I’m Ready (1965)
The Archies - Betty (1969)
Chuck Berry - Havana Moon (1979 Version)
Lena Zavaroni - Help Me Make It Through The Night (1974)
Lawrence Welk and His Orchestra - The “In” Crowd (1965)
Pat Boone - U.F.O. (1975)
Scott Walker - Joanna (1970)