D-Sides, Orphans, and Oddities
Episodes
Wednesday May 18, 2022
Yet MORE First Recordings of Famous Songs.
Wednesday May 18, 2022
Wednesday May 18, 2022
The Blue Cats - Nowhere Man (196?) I'm gonna guess 1966 since this band released three albums of covers of their time plus some instrumental originals. Probably German studio guys bringing the Western hits of the day to their homeland.
Diane and Annita - Groovey Kind of Love (1965) Fans (?) of this release propose that this might not even be the titular singers (who sound nothing like the voices on this recording) but actually the writers, Carol Bayer-Sager and Toni Wine. Annita Ray also recorded a one-off novelty single with Eden Ahbez, the writer of "Nature Boy," in 1956. It was titled "Frankie's Song" b/w "Elvis Presley Blues."
Wikipedia: The melody is from the Rondo from Muzio Clementi's Sonatina, Opus 36, No. 5. Even though Wine and Sager claim full songwriting credits, they mainly wrote the lyrics and just slightly modified Clementi's music. Bayer Sager originally pitched the song to pop star Lesley Gore in early 1965, but Gore's producer at the time, Shelby Singleton, rejected it, as he found the word "groovy" too slangy.
Gene Cotton - Let Your Love Flow (1975)
The Undisputed Truth - Papa Was A Rollin' Stone (1972) This version actually preceded the Grammy-winning version by The Temptations, and the two are pretty similar. The Undisputed Truth had their biggest hit with a song written by Norman Whitfield and Barrett Strong as well, "Smiling Faces Sometimes", which was originally recorded by The Temptations! This is another trivia question you can ask your friend.
Beau Williams - C'est La Vie (1984)
Black Magic! - Miss Jessie (1970)
Brian Wilson - Just Say No (1986)
C.W. McCall - Kidnap America (1980)
The Soul Searchers - We The People (1972)
Roogalator - Cincinnatti Fatback (1976) Note the Stiff Records logo on the upper left corner. This was one of the first Stiff releases. Danny Adler was an American ex-pat living in England. This was the second version of Roogalator (formed in 1972), and as much as this track smokes, the band got virtually no support from the label, and constant personnel changes killed the group. Could you have hung on that long with an entire movement (that you helped start) bubbling under your feet, only to be ignored and ultimately ripped off?
Cliff Bennett and his Band - Back In The U.S.S.R. (1968)
Con-Funk-Shun - Clique (1974)
Sesame Street - Cracks (1976) "Cracks" is an animated musical insert produced for Sesame Street in the 1970s. A young girl is unable to go outside to play because of the rain, and so she imagines the cracks in her wall form a camel. The camel takes her on an adventure through the wall where she meets a hen and a monkey, also made out of cracks.
The voice is the one and only Dorothy Moskowitz, who I featured on a recent show. She is mostly known as the female voice of The United States of America.
Debby Dobbins - How You Gonna Feel (1979)
A selection from the one and only album by Don Thompson - Fanny Brown/Just Plain Funk/Night Ladies/Hang Loose (1977)
God, I love this funk.
From Dusty Groove: The one and only album from drummer Don Thompson – a funky Brunswick classic from the 70s, and one of the most unique records we've ever heard from the label at the time! Don's got this style of singing that has a bit of a southern twang at times, but he works with grooves that are definitely northern in their orientation – served up in a range of styles that includes the funky drum break of the title cut, some mellow-stepping moments on a few other tunes, and the bouncing boogie that's really become the album's calling card over the years! There's loads of great bass work on most cuts, which really grounds that album alongside Don's drums – and titles include "Just Plain Funk", "Fanny Brown", "Lovin To The Bone", "Night Ladies (part 1 & 2)", and "Hang Loose".
Donny Hathaway - The Ghetto (1970) His early records were expansive and unique, and his voice was second to none. He was every bit the equal of Stevie and Marvin, but you know him from his duets with Roberta Flack.
Wikipedia: During the peak of his career, Hathaway began suffering from severe bouts of depression and exhibiting unusual behavior. In 1971, he was diagnosed with paranoid schizophrenia for which he was prescribed various medications. At one point, Hathaway was prescribed fourteen different medications that he was to take twice a day. After Hathaway was diagnosed and began taking medication, his mental state improved. However, Eulaulah Hathaway has said that her husband became less than diligent about following his prescription regimen when he began feeling better and often stopped taking his medications altogether. From 1973 to 1977, Hathaway's mental instability wreaked havoc on his life and career and required several hospitalizations. The effects of his depression and severe mood swings also drove a wedge in his and Flack's friendship; they did not reconcile for several years, and did not release additional music until the successful release of "The Closer I Get To You" in 1978. Flack and Hathaway then resumed studio recording to compose a second album of duets.
You should investigate his discography, especially this stunning debut album, Everything Is Everything. He was brilliant.
Donny Hathaway - To Be Young, Gifted, and Black (1970)
Donnie Most - Rock Is Dead (1976)
Enoch Light and the Light Brigade - Pick Up The Pieces (1975) John Miller on bass.
Enoch Light and the Light Brigade - Puppet Man (1970)
Fleetwood Mac - Sentimental Lady (1972) POACA will remember that Bob Welch rerecorded this with a more prominent Christine McVie backing vocal part. The singing members of Fleetwood Mac circa 1977-1980 could have crapped on a cracker and it would have gone gold.
The Mothers of Invention - Help, I'm a Rock (Suite In Three Movements)
I. Okay To Tap Dance
II. In Memoriam, Edgard Varèse
lll. It Can't Happen Here (1966)
Ian Dury and the Blockheads - Reasons To Be Cheerful (Pt. 3) (1980)
Kelly Gordon - He Ain't Heavy, He's My Brother (1969) First version. Beautiful.
Kid Creole and the Coconuts - Indiscreet (1983) Live. Goddammit, Carol Colman on bass.
The Residents - Die In Terror (1980)
Hoover Commercial with Brian Johnson of AC/DC on vocals. (1979)
Carpenters - Suntory Pop Jingle (1977)
Tuesday Mar 15, 2022
Chicago and Some Extracurricular Activities
Tuesday Mar 15, 2022
Tuesday Mar 15, 2022
The Knack - Africa (1981) From their 3rd album, Round Trip.
Peter Cetera - Holy Moly (1981)
Gerard McMahon - Hello Operator (1976)
Robert Lamm - Crazy Way to Spend a Year (1974)
Angelo - It Don't Matter (1976) With the Chicago horns, as well as Danny Seraphine on drums, Laudir de Oliveira on percussion, and the ubiquitous Peter Cetera.
Odyssey - Home Of The Brave (1972) With Donnie "Hot Licks" Dacus.
Robert Lamm - Where You Think You're Goin? (1972)
Don Felder - Never Surrender (1983) Written with Kenny Loggins ("Footloose", "Danny's Song") and featuring Pankow and Loughnane.
Gene McDaniels - Feel Like Makin' Love (1975)
Joe Vitale - Sailor Man (1981)
Leon Russell - Let's Get Started (1978)
The Knack - Lil' Cals Big Mistake (1981)
Maynard Ferguson - Rocky II Disco (1979) Featuring the real Sylvester Stallone on grunting, and Danny Seraphine on drums.
Flo & Eddie - Hot (1975) Featuring D. H.L. Dacus on slide guitar.
Howard Kaylan and Mark Volman signed with Columbia [Records] as Flo & Eddie. In his autobiography Shell Shocked, Kaylan revealed that upon receiving the cover art for their first album, they were appalled to learn that the printer had mistakenly printed the duo's stage names in the wrong order above their photograph. Volman was identified as Flo, which had been Kaylan's stage name in [Frank] Zappa's band, and Kaylan was identified as Eddie, Volman's stage name. The label refused to reprint the cover, saying that it would cost too much money. Thus, Kaylan and Volman decided to professionally swap stage names.
They sang backing vocals on so many famous songs and albums that you've likely heard them today. Among them:
"Bang a Gong" by T Rex.
Illegal Stills - Stephen Stills
From The Inside - Alice Cooper
"Hungry Heart" by Bruce Springsteen
Blondie, Psychedelic Furs, Todd Rundgren (when you hear "Bang on the Drum All Day" at a sporting event, that's them singing,) Duran Duran, etc. Volman and Kaylan also sang on the first recording by Steely Dan, a demo of "Everyone's Gone To The Movies." I read an article where Kaylan says he was asked to be their lead singer, but he nixed the idea of singing without his partner.
James William Guercio - Tell Me (1973)
Peter Cetera - Livin' in the Limelight (1980)
Wikipedia: When Columbia Records dropped Chicago in 1981, Cetera was in the middle of recording his first solo album for the same label. He had to personally buy the rights to the album before it could be released. According to Cetera, Chicago's new record company, Warner Bros., released the Peter Cetera album while it was waiting for Chicago 16 to be released. Cetera has asserted that one reason for the album's poor commercial success, however, was lack of support from the record company: the record company didn't want it to be successful and didn't promote it for fear that he would leave the group. In his 2011 autobiography, former Chicago bandmate, Danny Seraphine, backs up Cetera on this point, writing, "... [the album] sank like a stone due to lack of record company support. Warner Brothers didn't want it to interfere with their plans for Chicago." A full-page advertisement announcing the album appeared on page 100 of the November 21, 1981 issue of Billboard magazine.
Marcos Valle - A Paraíba Não é Chicago (1981)
Wednesday Nov 17, 2021
Chris Dedrick
Wednesday Nov 17, 2021
Wednesday Nov 17, 2021
Gilbert O'Sullivan - We Will (1972) Just a nice pre-'US fame' song I thought you might like.
Michael Johnson - Rooty Toot Toot For The Moon (1973) His big hit was "Bluer Than Blue" in 1978. Produced by Chris Dedrick.
Merry Clayton - Sly Suite (1980) Arranged by Chris Dedrick. Merry Clayton was the backup singer on the Stones' "Gimme Shelter".
From Brute Force's 1980 album (released in 2009), Planetwork. All tracks were arranged by Chris Dedrick.
Driving to the Stars
Fantasy of Nationality
Spinning Rock Lullaby
Spinning Rock
Our man recorded one solo record in 1972 (Be Free), but it wasn't released until 2000.
Chris Dedrick - Begin Work
Chris Dedrick - I'll Go Away
Chris Dedrick - I'm a New Man
Chris Dedrick - Someday
Halo - Have You Ever Felt That Feeling (1981) Produced by Lawrence Hilton Jacobs of Welcome Back, Kotter fame.
Halo - Let Me Do It (1981)
Hudson and Landry - Hippie and the Redneck (1971)
Carpenters - California Dreamin’ (1967/1999)
Hudson and Landy - The Gas Man (1974)
Pere Ubu - 30 Seconds Over Tokyo (1975)
Pere Ubu - Heart Of Darkness (1975)
Rob Agerbeek - Ob-la-di Ob-la-da (1973)
Rob Agerbeek - The Word (1973)
The Chantels - It's Just Me (1966)
Y Dyniadon Ynfyd Hirfelyn Tesog - Dyddiau Fu (1970)
Gene Marshall - Shake Your Good Stuff (?)
Jeff Reynolds - Music For Four Footers (?)
Saturday Nov 13, 2021
Some Great Songs From Past D-Sides Episodes!
Saturday Nov 13, 2021
Saturday Nov 13, 2021
Stevie Wonder - Light My Fire (1970) Listen to that bass player.
Syreeta Wright - Spinnin' and Spinnin' (1974) No one was EVER as hot as Stevie in the '70s, and the album this came from proves that even occupied with his own music, he can lovingly produce one of the best female-sung records of the '70s. I love this factoid from Wikipedia:
Three artists who performed on this album (Stevie Wonder, Deniece Williams, Michael Sembello) would all have Billboard number one songs ("I Just Called to Say I Love You", "Let's Hear It for the Boy", and "Maniac", respectively) within a year of each other, a decade after this album's release. Another artist on this album, Ollie Brown of Ollie & Jerry, would have a Billboard top ten single, "Breakin'... There's No Stopping Us", in the same one-year period.
The song "Come And Get This Stuff" was originally intended for Rufus, but lead singer Chaka Khan refused to do the song. Instead, Stevie wrote "Tell Me Something Good" for them which appeared on their album Rags to Rufus.
There's no word to describe how good he was in this five-year period.
This song made it to #49 in the UK, and never a peep in the US, which is a shame.
Gentle Giant - Weekend Cowboy (1970) I love their sound on these early demos. Less prog than they would become, a sort of The Band meets Harry Chapin. Through the filter of England, of course.
Godley and Creme - Random Brainwaves/I Pity Inanimate Objects (1979) When Gary Storm played this on Buffalo's WIZR 107.7, I had never heard anything like it. I still love what they did with the backing vocals.
Jimmy "Bo" Horne - Dance Across The Floor (1978)
Lawrence Hilton Jacobs - Larry's Theme (1978) He was Freddie "Boom Boom" Washington on Welcome Back, Kotter and Michael Jackson's father Joe on The Jacksons: An American Dream ("Get the switch!") but I actually find his albums in the late '70s very listenable, especially this. So much shit came out from TV stars around that era. Scott Baio was the worst.
Les Humphries Singers - Mexico (1972) Included here because doing this show helped me discover them. My one-man raison d'être is to make you a believer! It's not that good. Just a strange pre-sampling curio.
Nino Tempo and April Stevens - Love Story (1972) From Buffalo, NY! Their biggest hit was "Deep Purple" from 1963. They were siblings. God, she was beautiful. Her first record came out in 1950 (!) but her biggest solo hit was "Teach Me, Tiger" from 1960. She reprised this in 1965, but this was virtually the same recording, with dialog implying that she had kidnapped one of The Beatles in order to seduce him. Just wow. I love it.
Men At Work - Down Under (original, non-hit version) (1980)
A brief retelling of The Greg Ham Story. Don't Do Drugs.
Mudcrutch - Don't Do Me Like That (original, non-hit version) (1974) The almost note-for-note prototype for the Tom Petty hit a few years later.
The Osmonds - War in Heaven (1973)
Sammy Davis Jr. - John Shaft (1972) Ok, ok. Shaft. Ok! Shut up and let me finish my dinner.
Sha Na Na PSA (1972)
Pink Floyd - Scream Thy Last Scream (1967) I was surprised to learn that Nick Mason sang this.
Bee Gees - Lovers (1976) This is a very strange and wonderful album track from a band on its....third ascension?
Sensational Alex Harvey Band - The Dolphins (1979) I love this song as much as any I have ever played on D-Sides. I never would have heard it if not for this show.
The Langley Schools Music Project - The Long and Winding Road (1977) You should read about this. I think I read about this in RE/Search magazine.
The Residents - Give it To Someone Else (1980) Every song on The Commercial Album is about 60 seconds long. There are 20 per side.
Wild Cherry - Baby Don't You Know (1977) A wonderful, horrible attempt to recapture the lightning of the last single, "Play That Funky Music". THIS is how you follow up a fluke hit:
One more timeWell we play that funky musicAnd we were looking so good yeahElectrified funky feelingWas coming down like I thought it wouldSo we went out on the road yeahTry to get ourselves aheadAnd on the way I was surprised to discoverThat all those funky peopleHad been misled, they were shouting outBlack? NO! White? Right!, Oh what a sight!I really didn't know the suckers was whiteBaby don't you know, Baby don't you knowBaby don't you know, Baby don't you knowThat the honkey's got soulBaby don't you know, Baby don't you knowBaby don't you know, Baby don't you knowThat the honkey's got soul
Roger Nichols and Small Circle of Friends - Don't Go Breaking My Heart (1968) So beautiful, especially the "Middle 8". Just amazing harmonies.
The Free Design - Day Breaks (2001) This will be my funeral song. I don't WANT a funeral. Just a little party for people to remember funny stories about me. In life, very few people are still in touch with me in an earnest sense. People have come and gone and sometimes I look around and wonder if someone should have bought me a ball gag long ago. Still, even after all the mistakes I have made in my life and my dealings with people I have lost, I know deep down that some people will be genuinely touched by the fact that we met and decided to be in each other's lives for as long as we had. If you listen to this song and put yourself in that place, celebrate the people who DID choose to be with you, no matter WHAT you said. Everyone is broken. Everyone. You're not alone.
Co-written by my friend Bruce Dedrick.
The Free Design - Friendly Man (1971)
Adriano Celentano - Prisencolinensinainciusol (1972) This song is being used for a commercial in the US. I like to think it's because of me.
The Beatles - Revolution (Take...Your Knickers Off!) (1968)
Friday Oct 01, 2021
Friday Oct 01, 2021
Sunflower Radio Promo (1970)
The Beach Boys - Slip On Thru (Instrumental backing and backing vocals ) (1970)
The Beach Boys - Forever (1970)
The Beach Boys - Til I Die (vocals only) (1971)
The Beach Boys - Add Some Music To Your Day (1970)
The Beach Boys - Seasons In The Sun (1971) Originally titled "Le Moribund" ("The Dying Person"), it was a huge hit for Terry Jacks in 1973, who had previously been part of a husband-wife band called The Poppy Family. The Poppy Family had a sitar player in the band. Four people. One was a sitar player. ANYHOO, Jacks tried repeating his luck by recording another Brel song, "Ne Me Quitte Pas", as "If You Go Away", but as the French say, "La foudre ne frappe jamais deux fois."
Wikipedia: The first version of the song was recorded by Jacques Brel, who also wrote it in a brothel in Tangiers. Sung in a marching tempo, it tells of a man dying of a broken heart and shows him saying his last farewells to his close friend Emile, a priest friend, an acquaintance named Antoine, and his wife who has cheated on him numerous times with Antoine. Despite knowing of Antoine being his wife's lover, he wishes no ill upon him but tells him to take care of his wife. The American poet Rod McKuen translated the lyrics to English. In 1964, the Kingston Trio first recorded an English version of "Seasons in the Sun", which was later heard by Terry Jacks and became the basis for his rendition.
Jacks rewrote the lyrics, although he is uncredited for it. He justifies the rewriting by stating that he deemed the original version and its translations to be "too macabre". The inspiration for the rewritten lyrics was a close friend of his who was suffering from acute leukemia and died four months later. The Terry Jacks rendition, which was later dedicated to the friend, has the dying man giving his last words to his loved ones with whom he shared his life, much like the original. However, unlike the Jacques Brel version, the man does not die broken-hearted but instead, acknowledges the rights and wrongs of his actions in life as he passes away peacefully.
In the rewritten version, the man first addresses his close friend, whom he had known since childhood, and reminisces the happy times they had such as playing and studying together ("climbed hills and trees", "learned of love and ABC's"), and friendships with others ("skinned our hearts and skinned our knees"). He then addresses his father, who tried to give him a good upbringing and exert a positive influence on his undisciplined life ("I was the black sheep of the family", "You tried to teach me right from wrong", "wonder how I got along") which included overindulgence, vices, and revelry ("too much wine and too much song"). The man finally addresses "Michelle", possibly his daughter or niece, and stating how she lifted his spirit up in times of despair. Before he dies in peace, the man reminds all three that he will always be alive in their hearts and will be present in spirit when they see people or visit places; pretty girls (old and new friends) for the close friend, young children playing for the father, and flower fields for Michelle.
This version is actually produced for The Beach Boys BY Jacks. He produced this one song and they gave him the heave-ho. Maybe he said, "I'll produce, but there's this song I wrote called 'Put The Bone In' which you might like." The ticket back to Vancouver was on its way.
Allan Sherman - Pop Hates The Beatles (1964)
The Average Disco Band - Eleanor Rigby (1977) Coming soon, my Amherst Records show!
The Average Disco Band - Help (1977)
Avon "Elusive" Salesperson Ad (1969)
Bill Haley and His Comets - Rock Around The Clock (1974) Live from the Hammersmith Palais in London.
Bill Haley and His Comets - Rock Around The Clock (1979) Amsterdam, Netherlands. Notable as having Chico Ryan from Sha Na Na on rhythm guitar. To me, I guess.
Bill Haley - Rock Around The Clock (1968 vocals, accompaniment overdubbed horribly by a bunch of anonymous guys.)
Bill Haley and His Comets - Rock Around The Clock (1968) Philips Studio, Stockholm, Sweden, before an audience invited to a session by Sonnet Records.
Boiling Point - Let's Get Funktified (1978)
? - Dedicated To The ATA (197?) Off the album CB Truckin': 20 Gigantic Hits
Elton John - She Sold Me Magic (1970)
Erwin Bouterse and His Rhythm Cosmos - Disco Party (1979)
Freddy Cannon - Red Valley (1971) Featuring Wadsworth Mansion, which had a catchy as hell hit the previous year with "Sweet Mary". One album and zap.
Invader - Disco Soodara-bushi (1979)
Joe Thomas - Tongue Twisters (1983) Known as "The Ebony Godfather".
The Jules Blattner Group - 2001: A Soul Odyssey (1969) I played their song "Call Me Man".
Winterspring - No One (1970)
Bill and Lisa - Koobamanah (1973)
From the back cover: "Music today is so open to style and expression that we enjoy the challenge of always presenting a wide variety of songs to reach as many people as possible. They have been entertaining alternately between the Montauk Golf & Racquet Club and Gurney's Inn for the past three years. Off-season, Bill and Lisa perform on cruise ships, including trips to the South Pacific and the Orient."
Kool and the Gang - Raw Hamburger (1969) Formed by Robert "Kool" Bell, his brother Ronald Bell and a bunch of their New Jersey teenage friends in the mid-60s (then called the Jazziacs), Kool & the Gang played traditional jazz in regional venues for several years, slowly morphing their style to incorporate emerging funk sounds of Sly and the Family Stone and James Brown. They were signed by the De-Lite label in the early '70s and gathered a small but loyal national following (in particular for their 1971 release Live at the Sex Machine). The group's fortunes exploded in 1974 with Wild and Peaceful, an infectiously raw album that spawned three smash hits, "Funky Stuff," "Hollywood Swinging," and "Jungle Boogie," all featuring great instrumentation and lyrics virtually shouted by the group. However, as quickly as they rode to fame, Kool & the Gang faded, their rough sound appearing out of place against the slick, dance-oriented sounds that began to dominate popular radio in the late '70s. And then they broke up, never to be heard from again.
Kool and the Gang - Country Junkie (1972)
Looking Glass - Sweet Something (1973)